Tech Facial recognition cameras are becoming a fixture of Britain's high streets, shopping centres and transport hubs, and a growing number of designers believe the antidote might be sewn into the clothes people wear. So-called "adversarial fashion" — garments printed with patterns designed to confuse computer vision systems — is moving from countercultural fringe to genuine talking point, even as scientists warn that no outfit can promise true invisibility. The premise behind these clothes is to exploit the shortcuts that detection algorithms rely on. Some brands scatter distorted, face-like motifs across fabric to overwhelm a system with false positives; others use asymmetrical cuts, oversized prints or knitted patterns generated by AI to disrupt the way software separates a person from the background. A few go further, embedding infrared LEDs into hoods or collars in an attempt to dazzle night-vision cameras. Nick Tidball, co-founder of the clothing brand Vollebak, believes the idea is close to a breakout moment, arguing that anti-surveillance feelings are widespread enough that a single celebrity wearing such a garment at a high-profile event could push the trend into the mainstream. He has also suggested that if the clothing proved genuinely effective, it could attract political attention and even restrictions. Public unease over facial recognition has been building for some time. Automated systems can now track individuals across multiple cameras and search archived footage at scale, a step change from traditional CCTV. Watchdogs in Britain have flagged the disproportionate rate at which black and Asian people are misidentified by such systems, and recent polling suggests a majority of the public sees facial recognition as a further slide towards a surveillance society. Movement is part of the problem: creases and folds in fabric distort a printed pattern in ways a rigid surface, such as a printed cardboard sign, never
Fashion brands turn to adversarial patterns to outwit <b>facial recognition</b> | t2ONLINE
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